Watched: Mr & Mrs Smith – the TV Show (2/5⭐️)

We went in hoping for an action packed TV show with loads of fun intrigue and fight sequences. We were disappointed. It was an avant garde take on a spy thriller. In between hours of just talking and talking and talking, the protagonists did some action and shot up a house. That’s it. It felt like Amazon Studios told them that they don’t have budget for stunt doubles, so they skimped on proper action.

On Threads

Sewing threads

I love blogging. It’s a world unto itself. Sites reflecting people’s personalities, their lives, the ebbs and flows of their writing muscle (or photo posting muscle – I do love photo blogs), the business of their lives.

Social media is not like that. Well, some are and some aren’t.

I was reading this post by Ally Bean over on her website where she asked and answered the question – What is Threads (the Facebook-owned twitter clone)? It’s a conundrum, she says. It’s got so many users and yet not enough interaction. Threads calls itself a social network, yet everything is algorithm-led, so you can’t really do your own discovery. And, as Ally puts it –

The thing about Threads is there is no center to it to draw people to a communal “What’s Happening” section or a Writing Prompt or a Weekly Topical Challenge. It’s all random all the time.

Ally Bean writing on thespectacledbean.com

My take on this is that there are two types of social media services and mirroring them, two types of social media users. There are the public-first services and the private-first services. There are always exceptions to the rule too.

Public-first services basically take their cue from forums – there’s less or no focus on private messaging. It’s all meant to be open. Whether they’re link aggregators like reddit, or stream of posts sites like twitter, the main goal is that whatever you do on the site is public. Your likes, comments, shares, posts are all visible to everyone. Over time, through user feedback, these services do introduce private accounts, private communities, private messaging. But they pull these features back as quickly as they create them. The intrinsic value they create for their ad-supported profit hungry shareholders is in people doing things publicly.

Private-first services take their cue from email – the first focus is on private communication, which is thoroughly monitored for profiling, again for ad-dollars. Of course, there’s a massive public component of these sites too, including public groups and communities, public profiles, etc. But these are focused mainly on creating starlets with the aim of using these to drive traffic to the site till either the starlets crash and burn, or the algorithm changes and the starlets are left in the lurch. This behavior is similar to that of the music industry, which would assiduously create the persona of a pop singer, only to push them towards drugs and then tear them down as “bad influences”. Rinse and repeat. Facebook and Instagram are examples here. It’s sad that the two main examples I have are both owned by the same company. Snapchat is a competitor service too, but I don’t talk about it because I’m not on it. No network effects for me there. (I’m not on Threads either, but Ally is, and this post is wholly based on her experience and her blogpost. Quick! Someone write a critique of Snapchat!)

The fact is that I’m ignoring two behemoths here – TikTok and YouTube. But are they social media services? No. They’re Media Consumption services. The Social aspect of these services is purely incidental and meant only as a growth vehicle. If tomorrow they are free of the constant user growth requirement, they’ll gladly rip out all of the social aspects of their apps and sites and happily serve their existing users all the content they can shove down their throats.

Within the private-first but public-stream services, the trend is algorithmic feeds. This is a little unfair, because this push into algo-based feeds is by one company – Meta. Their unbenevolent dictator believes that everything becomes better when decided by an algorithm. So that’s what he’s pushing across every one of his properties. But you can’t talk about any other service doing better when there’s one monopoly and the others are fledglings.

That brings us back to Threads. Facebook and Instagram already lean heavily on algorithms for their home feeds. You’re not allowed to see what you want to. You’re forced to see what the algo decides will create more engagement.

But what does this lead to? Silence. Almost everyone I know who is active on Instagram no longer uses their home feed. It’s the list of folks you’ve subscribed to, yes. But never shown in the manner you want to, so might as well use the Explore feed to browse and the private messages to chat with friends about the latest news/memes/gossip (that’s why Instagram uses your private messages to create your profile too). Also, Silence in that, those who I’ve talked to about this no longer comment or hit like on instagram posts. Comments on public pages almost always lead to harassment and unnecessary visibility. Likes are exclusively used by the algo to make your feeds progressively worse by trying to push the same content at you over and over. So why hit like? Incidentally, this is why TikTok prefers to use “seconds watched” as the metric for whether the person was engaged rather than Likes.

Ally complains that it feels rude when people do not interact with her comments on Threads – forget replying, they don’t even hit Like. I argue that this is because the users on Threads are a reflection of the social media service they’re coming from. Almost all the users of Threads have come over from Instagram. They’ve been trained not to interact with content, as that’ll either train the algo or cause unnecessary headache. They’re not rude, they’re simply a reflection of Facebook’s vision of “users”.

Threads isn’t doomed to fail. It can recover and it’ll definitely keep trudging along as long as Meta is willing to lose money on it. Once they decide it’s not the next billion dollar idea though, they’re sunset it post haste. Looking forward to it. Till then, Ally’s words about Threads ring true –

it just kind of bores me.

Playing with a new iOS app

Playing with new quick notes app called Funnel. Pointed by Agam on his blog.

The power of such apps is to quickly get to a writing place. The problem with such apps is that they need a prominent place on your homescreen.

My homescreen has been locked to the current set of apps since a very long time. The second page is flexible. But I don’t see how the first page would be. I’m not sure what the fate of this app will be either.

I mean, I literally have the free version of Drafts sitting on the second page and I rarely use it. Maybe I should just use the back tap feature of iOS to do quick thoughts capture?

Utterly immersed in the audiobook for Vita Nostra. What a mind blowing book! Calling it an anti-Harry Potter is such a disservice to the brilliance of the Dyanchenkos.

Watched: Saltburn (1/5⭐️)

What a pathetic waste of time.

Saltburn is a decadent and windy art film. It has a story, yes. But it’s rather linear and further ruined by a rather dull and obvious cast of characters. Ten minutes in, you’ll know who the antagonists are. Midway through, you’ll know what the climax will be.

What does that leave the movie to show?

Only cringy shock-value scenes. That’s it.

2/5 stars because it could be sat through, if you feel like wasting an evening of your life.

Go for a walk instead. You’ll feel much better.

Update: After careful consideration, I’ve reduced the rating from 2/5 stars to 1/5 stars. This was a horrid movie. Skip it. Do not watch.

Parents on Art Advice

She said that you have to be willing to disappoint other people in order to be a writer.

Source: How Do You Write a Book?

What an interesting thought! And so true, not just for writing but for all art, all hobbies, all creativity; heck, even spirituality and meditation. All of these are deeply personal. The satisfaction from these is almost never monetary, by which you could justify the time spent on the activity to the world, but more importantly your friends and family. Instead, the satisfaction is deeply personal too. You’ll be called selfish and greedy. “Your time and your energy”, instead of being devoted to this abstract thing, “should be devoted to people around you”, they’ll say. You’re going to ignore children and thus force your partner to take up more work. You’re going to eat into their personal time or into shared personal time, which is even rarer for parents.

But it’s worth it. In the end, you get a book, a piece of art, a more settled personality, or none of these. But the journey is important, no matter who it may disappoint.

I changed the title from “How do You Write a Book?” to “Parents on Art Advice” simply because there’s so much more that this advice applies to. Maybe it shouldn’t be “Art” but “Life”, because Life is all about balancing other people’s disappointments with your own needs.

Sticky is good, brimming is better

In my last post on the topic, I said that when I reached into my memory for alternatives to Goodreads, I remembered only StoryGraph and Literal.

This is good. Whatever is sticky is what we use in the end.

Recently, it went a little further. Lately, I’ve become a fan of a lot of alternatives to books. 13 out of the 18 books I “read” this past year were audiobooks. Another 3 were actually Harry Potter fan fiction web novellas from a series called Ever Upward. It’s worth a read.

There’s another web novel which I’m reading right now, on and off, which I have no hopes of finishing soon. It’s called Worm and it’s three times the size of War and Peace, which took me well over 2 years to read.

But the significant thing is that both the fan fiction and the web novel are online entities that have no ISBN, publishing house, or even profit motive. They are purely labors of love, freely given to the world, published online in a format that may outlast humanity or may disappear tomorrow.

Which means there’s no serious way to track the fact that I’m reading them other than putting them in my notes or on my blog. Goodreads doesn’t acknowledge them. Neither does Literal.

But StoryGraph does.

A few months ago, I wanted to record that I’m reading Worm. None of the services – Goodreads or it’s alternatives seemed to have Worm as a “book”. But StoryGraph did. I added it. But I’ve not really used it to track my progress. Mostly lack thereof.

A few days ago, I felt like adding my progress on the Ever Upward series to the reading services. Sure enough, StoryGraph is the only one that has it, with each numbered novella a separate entity. I added it and quickly marked the first three novellas as “read”, adding them to my 2023 Reading list.

I like Literal. It’s got a nice interface, a very good community. They have this cool feature where you can create Clubs based on any random criteria and people can join them and add recommended books as well as posts to those Clubs. I’m an active member of a club called “Complex Females” and the creator of a club called “Short books“. But like most other non-Goodreads platforms, Literal suffers from a lack of records. Books are missing or not available in the format I’m reading them in. To fight this, Literal created a program called Librarians where you can contribute information about missing books and editions. Still, there doesn’t seem to be a way in Literal to track non-ISBN books.

StoryGraph doesn’t have a program like this per se. But any member can import a ISBN based book. What they also have is a feature that says that if you don’t have an ISBN, you can manually add a book and plug in information about the work. This is probably what some kind strangers used to add Worm and Ever Upward to the platform. I’ve found this to be a rather unique option that’s not present anywhere else. In general, if you want to track something you’re reading on the web, your main options are Read Later tools like Instapaper or Omnivore. I do not want StoryGraph to track every article or LongRead out there, but the idea of tracking web novellas is unique and very satisfying.

I want to give my money to StoryGraph. It’s $50 a year for the annual plan (or $5 a month for the monthly plan). That seems like a reasonable way to support the platform. Literal on the other hand, has a “Patron” system where you can contribute $5/$10/$20 a month to help keep the lights on and improve the platform. Seems reasonable too.

Literal has a social aspect that StoryGraph lacks. StoryGraph has Stats. Who doesn’t like stats?

Ideally, I’d like these platforms to merge so I can have exceptional stats as well as a social aspect that’s entirely around book clubs. But that’s just wishful thinking.

What do you think dear reader? Where should my money go?

Oh, and about the title of the post. I am leaning towards StoryGraph because it’s brimming with more than just ISBN based books. It’s helping me track web novellas which I would have no way of tracking through a “reading platform” otherwise.

DNR’d two books back into 2023

Not a 2023 roundup post.

Just wanted to note that I was trying to finish 2023 with two audiobooks – To Her Credit and Classic Women’s Short Stories. Could not finish either of them. To the point that these are the only books that I picked up in 2023 that I will not finish.

“Classic Women’s Short Stories” is just too dated to read. There are a few short stories in there by some famous authors – Katherine Mansfield, Kate Chopin, Virginia Woolf. But most of the stories were just too… boring… to read. Ultimately had to drop the entire book. Woolf’s story, A Mark on the Wall, and Mansfield’s The Garden Party and Daughters of the Late Colonel, were the only ones I finished. I would recommend you to read these stories individually instead of through this book.

I thought To Her Credit would be similar to Figuring by Maria Popova, the book that kick-started my love for Feminist Memoirs. Instead, it was just a series of “here’s a woman who did amazing things and here’s a man we want to put down through her”. We need more writing like Popova’s which celebrates women’s accomplishments (or non-accomplishments, like Three Women by Lisa Taddeo) without demeaning them with comparisons. I’m still looking for anything as well written as Figuring.

I’m starting 2024 with a wondering book named Berlin by Bea Setton. It’s very along the lines of A Year of Rest and Relaxation. I’m loving the inner monologue of the main character and the audio narration by Ell Potter.

Sticky is good

Huh, I just realized that I’ve basically forgotten what all goodreads alternatives I was using. The only one that stuck properly was StoryGraph and after a little pressure on my brain, Literal.

That’s good! That’s what I wanted to do – use a few of these services and let some of them fall away, till I am left with the ones I remember.

It’s like email addresses – we’ve all got a few – gmail, yahoo, personal domain. But which is your goto? It’s the one that pops into your head as soon as you need to give your email to someone.

Sticky is good.