The Death of the Author

there is, however, someone who understands each word in its duplicity and who, in addition, hears the very deafness of the characters speaking in front of him-this someone being precisely the reader.

via The Death of the Author by Roland Barthes Full Text, Downloads, Cliff Notes, and Essays.

This text, pointed to me by Dan on ADN (which was in response to this article posted there by Matthew) reflects what I believe about writing today – that in as much as we want to give meaning to the text in terms of the context of the author, the real meaning can only be derived by the reader himself. The same is true, in my book, about any art – paintings, sculptures etc, where it is not the artist’s life, times, societal pressures or addictions, that define the true meaning of the work, but the impressions it makes upon the viewer that truly reflect the value of the art. Continue reading →

How to end a story about a war – Lessons from World War Z

So I saw World War Z a few days ago. It turned out to be a better story than I’d anticipated. I expected it to be either too soft or too macho, but it struck the right balance. After I finished the movie, I realized that there were some lessons in it for me, specifically, about writing fiction.

The story is about a war, a war against zombies. Quite simply, it’s a war that cannot be finished in one book, one film or even one lifetime. That reminds me, I have to compare this story to how Resident Evil handles war. Continue reading →

The year 2512 in Charlie’s Mind

That we’re living through a great extinction event is obvious

via 2512 – Charlie’s Diary.

Charles Strauss, author of amazing science fiction like Rule 34 and Singularity Sky, describes how the Earth will be in about 500 years. His assumptions and predictions are amazing to read!